Woody Allen; Love & Death

Please continue reading the play "Death" by Woody Allen.

We will screen a film by director, writer, actor Woody Allen. If all goes well we may watch a second or third film.

As you watch, please pay attention to the camera shots Allen is using to tell his story: the use of voice over (VO) to 'tell a narrative story', plot, characterization, theme/message, basic camera shots: close-up, medium shot, full shot, long shot, extreme long shot, deep focus shot, and the basic camera movements: high angle, low angle, pan shot, crane shot, zoom, etc.

Additionally, the use of farce, hyperbole, mistaken identity, and absurdity are rampant in the film. Notice how these comedic techniques are used in the film. You, too, can use these techniques in your own writing!

Homework: Complete reading Without Feathers by Thursday of next week. Here are some helpful notes:

• A Brief, yet Helpful, Guide to Civil Disobedience: People were protesting the Vietnam War when Woody Allen wrote this book. Even this serious topic is humor-fodder for writers. The allusion to The Trojan Women is referring to a Greek Tragedy (see: God) about the women of Troy banding together to protest the Trojan War.
• Match Wits with Inspector Ford: In the 70’s books such as 5-Minute Mysteries were very popular. The idea was that the author gave you a very short mystery or crime. The answer to the “riddle” was in the back of the book. A fan of whodunits will enjoy this parody.
• The Irish Genius: This is a parody (similar to Lovborg) but dealing with the poet William Butler Yeats. Yeats was an Irish culture fanatic and wrote “Irish” lyrics celebrating Gaelic and Irish legends. His poems drip with allusion and Allen plays around with this idea by providing fake “footnotes.”
• God, a Play: Poking fun at Greek Theatre, Allen is also joking about writers and the process of writing a play and the challenges of performing it. Allen was a playwright before he became a film writer. So you can assume the Writer character is partly autobiographical. Of course, the character of “Woody” is also Allen’s alter-ego in the play. Enjoy the absurdist ideas of the piece. By the way, the machine reference in the play is a reference to: Deus Ex Machina (or God from the machine) referring to a contrived ending of a play (a God comes down and fixes the characters’ problems).
• Fabulous Tales and Mythical Beasts: Bestiaries were an old fashion (Medieval) form of the nature guide. They were all the rage in the 1500’s.
• But Soft, Real Soft: There is a scholarly debate over who really wrote Shakespeare’s plays. Many critics say that Marlowe (another Elizabethan playwright) wrote Shakespeare’s work. Others say Queen Elizabeth or Francis Bacon wrote the plays. Probably, odd as it may seem, Shakespeare wrote Shakespeare’s plays. The title refers to a line from Romeo and Juliet.
• If the Impressionists Had Been Dentists: The Impressionist painter Van Gogh kept close correspondence with his brother Theo. Later a song and a movie were made from Van Gogh’s private letters. The title tells the rest of the joke.
• No Kaddish for Weinstein: Kaddish is a Hebrew prayer of mourning usually recited at a person’s grave. Woody Allen often jokes about Freudian Psychoanalysis or therapy. He is using a comic technique of the non-sequitur (or surprising a reader by saying something unrelated to its subject or something that makes no sense or is nonsensical.)
• Fine Times: An Oral Memoir: Another parody of a book review and autobiography of a fictional character. This one is about Flo Guinness, a speakeasy owner in the 1920’s. Alcohol was prohibited (illegal) in the early 1920’s and later repealed. Guinness is the name of a popular beer. Allen references many famous 1920’s musicians and people.
• Slang Origins: The English language has so many weird expressions and sayings. Allen pokes fun at them in this “essay.”