Thursday, September 29, 2011

Sound Poems & Revision Exercise

Sound Poem Assignment: See previous post for directions. Write a poem using sound imagery. Due at end of class. This is your primary assignment today. Do not waste time. Compose a draft. Call it "sound" poem or "sound imagery" poem.

When you are done, please continue with the assignments on this blog.
Li-Young Lee reading "This Room and Everything in It"
Optional poem draft: Observe a specific room. This one. The unused room in your house. The kitchen. The garage. The lobby of a bank. Then describe the room and "everything in it." Use Li-Young Lee as a model.
LAB ASSIGNMENT: 
Sound: (please listen/read) these poems and then comment about the collection on the forum.
Gerald Manly Hopkins: "Pied Beauty"
"The Leaden Echo & The Golden Echo"
"The Windover"
"Spring and Fall to a Young Child"
Emily Dickenson:
Hope is a Thing with Feathers
I Heard a Fly Buzz
I'm Nobody (silent, no sound, but please read the poem)
Wallace Stevens
The Idea of Order at Key West
Thirteen Ways of Looking at a Blackbird
The Snow Man
Taylor Mali: Like, You Know 
The The Impotence of Proofreading
Amiri Baraka: Why is We Americans
LAB WRITING: Revision exercise. Choose one of your previous poems. Deliberately change the SPEAKER or VOICE. Add a specific TONE, and clarify your DICTION. Rewrite the poem with this new diction, voice, and tone.
Some examples/suggestions:
  • age your speaker about 30 or 50 years.
  • change the gender or cultural heritage of your speaker
  • increase or decrease your speaker's IQ by several points
  • make your speaker in love with the subject of the poem
  • make your speaker fear or dislike the subject of the poem
  • Use one of the tones mentioned above
  • Use understatement, euphemism, or any other rhetorical strategy dealing with diction
  • Change the career or occupation of the speaker. If your speaker, for example, was a student--make them a doctor or a lawyer or a disc jockey or a horse jockey.
THEN: write it a third time with yet another voice, tone, and diction. Call these drafts "voice/diction/tone" exercises. If you rewrite a poem, change its draft # to the next #. Thus, rewriting draft #1 will now be labeled draft #2. Keep track of your draft #'s.

This assignment will be due next class.

HOMEWORK: Post a forum response to the poems above by next class. Complete your Sound Imagery poem draft.

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About this course!

This course stresses understanding the characteristics & techniques in the literary genres of fiction, poetry, and dramatic writing. This course will continue to build on students’ reading and writing skills begun in previous creative writing classes. Readings and discussions of works by major writers in the field will be examined as inspiration and models of fine writing. This educational blog is designed for the use of the students at the School of the Arts in Rochester, NY.