Monday, May 7, 2012

Portfolio Advice

A. In dialogue two things:
1. Limit your adverbs. Avoid the use of 'well', 'oh', 'um', 'so', 'yeah', etc. These words don't mean anything when used to begin a line of dialogue and can be removed.
2. Here's the rule about dialogue punctuation: learn it!
  • If you use a dialogue tag you need a comma where you would otherwise put a period.
    • "Yes, it looks like this," said the teacher. OR "Yes, it looks like this," the teacher said.
  • If you use a question mark, stating ASKED in your tag is redundant.
  • If the dialogue is said a certain way by your character, you MAY use a tag in the front of the line to indicate to the reader the nuance or subtext of the line. This is optional, though. 
    • Surprise in his voice, Jonny said, "This is what I'm saying!"
B. A hyphen is used to join two nouns (such as the word 'em-dash' or 'two-toned' or 'time-keeping'). A dash (em-dash) is typed as two hyphens. They mean something different, so don't confuse the two.

C. Many of you overuse participles phrases. Participles are verbs that describe actions that are on-going or continuing into the future. Here are just a few examples:
breaking, riding, sparing, snarling, grinning, smirking, glaring, booming, yelling, screaming, shouting, shattering, dancing, sleeping, living, dying, leaving, coming, baking, sewing, watching, drawing, speaking, smiling, whispering, mewing, barking, snorting, chirping, bringing, giving, moving, staying, renting, buying, knowing, snooping, stalking, begging, trying, creating, designing, marketing, reporting, drumming, looking, having, getting, complaining, crossing, busing, featuring, ending, beginning, stopping, starting, repairing, restarting, turning, changing, becoming, transforming, landing, looking, seeing, going, gripping, walking, running, working, jumping, hopping, eating, staring, mowing, pulling, sowing, writing, making, laughing, scratching, ripping, licking, sucking, typing, pushing, bowling, skipping, scanning, climbing, playing, sprinting, snowing, throwing, hitting, drinking... etc.
When you tack them onto sentences, they can provide detail:
  • Snarling like a wolf, the boy bit through the steak in two chomps. 
  • Putting on her jeans, she sucked in her gut.
  • The water swirled around him; he was running out of breath.
If you use too many of these, you reduce the effectiveness of an action, and often create run-on sentences:
  • Laughing until his sides burst, hiding behind the wardrobe, his panting long and laborious, he was sneaking a peak at the other boys and girls who were smiling and playing in the hallway, enjoying their conversation and snickering.
See? Too much!

Just like commas, a little goes a long way. Try to reduce participles to one or two at the most in a sentence. Using them in your writing too often is annoying and distracting. Okay, writing is a GERUND, but you get the idea.

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About this course!

This course stresses understanding the characteristics & techniques in the literary genres of fiction, poetry, and dramatic writing. This course will continue to build on students’ reading and writing skills begun in previous creative writing classes. Readings and discussions of works by major writers in the field will be examined as inspiration and models of fine writing. This educational blog is designed for the use of the students at the School of the Arts in Rochester, NY.